Report, if you have a problem with this page“ To understand the ‘wounded men’ of Upper Palaeolithic art, I now consider somatic hallucinations; these include attenuation of the body and limbs, polymelia (having extra limbs or digits), and, the one on which I focus, pricking and stabbing sensations. ”
James David Lewis-Williams
From : The Mind in the Cave: Consciousness and the Origins of Art
